

In too many cases, states or institutions refuse. Lastly, he says that it is untenable that cases can only come to the Commission if both parties agree. He also says the Commission's recommendations need to be binding which would have a more powerful impact, and that the Commission itself should be assigned guaranteed autonomous status regulated by law. The political and moral commitments are not sufficient, particularly in view of Germany's ultimate responsibility. It is 20 years since the Commission was founded, and Professor Papier states that Germany needs comprehensive legislation on restitution which has long been promised. The latest newsletter, published by the German Advisory Commission, leads with an editorial by the chair of the Commission, Prof. The Wildenstein Institute published the first volume of the Marquet Catalogue Raisonné of Paintings titled Marquet: Catalogue de l’œuvre peint, Afrique du Nord, which documents the 741 paintings the artist made in North Africa in 2001.Īpril 2023 Newsletter of Network of European Restitution Committees The artist's family gifted the collection to the Wildenstein Institute for catalogue raisonné research. After the artist’s passing in 1947, Marcelle Marquet added administrative records and her research notes to the collection on his work.

It also consists of a large portion of the artist’s personal correspondence, including over 100 letters and postcards from Marquet’s lifelong friend, Henri Matisse. The collection includes albums, provenance cards, and stockbooks from Galerie Druet, which represented the artist between 19. The records of French artist Albert Marquet (1875–1947) were assembled by the artist’s wife Marcelle Marquet (1892–1984).

The Wildenstein Plattner Institute has announced the launch of the Albert Marquet Research Archives which include the correspondence files, the Galerie Druet Records and personal business records. Launch of the Albert Marquet Research Archives Every German and Austrian library has been sent a copy. After the German publication of this book by her granddaughter Karina in 2020, Ernst Reinhardt Verlag reprinted the original 1935 edition of Alice’s cookbook, with her name on the jacket. The publisher never did and kept on publishing the book. In 1948 Alice wrote to the publisher from her apartment in Manhattan, asking to have her rights back and her name restored.
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Alice’s preface to her cookbook, in which she had celebrated “the colourful mix of peoples that made up the former Austro-Hungarian monarchy”, was deleted, as were her recipes for Rothschild sponge and Rothschild omelette, plus any clues that the book was written by a woman. Her book was “Aryanised”, given a new “author” by the name of Rudolf Rösch. She was summoned to her publisher, Ernst Reinhardt Verlag, and told by her editor, Hermann Jungck, to hand over all her copyright and publishing rights. In September 1938, after the Anschluss, Alice’s name was removed from her book. Alice Urbach had a cookery school in Vienna and in 1935 published a bestselling cookbook. Alice’s Book: How the Nazis Stole My Grandmother’s Cookbook
